Thursday, August 9, 2012

Friday 8/10/12: Printing

The difficulty with color is to go beyond the fact that it's color – to have it be not just a colorful picture but really be a picture about something. It's difficult. So often color gets caught up in color, and it becomes merely decorative. Some photographers use [ it ] brilliantly to make visual statements combining color and content; otherwise it is empty. - Mary Ellen Mark, “Mary Ellen Mark: 25 Years” by Marianne Fulton, ISBN: 0821218387, Page: 5

"I realize more and more what it takes to be a really good photographer. You go in over your head, not just up to your neck." - Dorothea Lange 

"Don't undertake a project unless it is manifestly important and nearly impossible." - Edwin Land

Color Checker Targets (from Mac-On-Campus):

Take a photograph of a color chart and use to set white balance to a neutral color temperature based on the lighting scenario you are shooting under.

Collapsible Reflectors:
Use "flex-fills" or "bounce cards" to fill the shadow areas of an image with additional light/exposure - very helpful for shadow side of portraits.


Adjusting for Color and Tone:

Levels/Curves and Camera Playback Histogram


Sharpening Handout - To be done right before printing!




Today we'll be talking about proper color management workflows and how to take an image from monitor to print with as much color accuracy as possible.

Colors on a monitor are displayed using a combination of RGB light, while printed colors are typically created using a combination of 4 inks CMYK.  Because the RGB and CMYK color models use different methods to display colors, each produces a different gamut, or range of colors. 

The color space for a device is defined by the gamut it can produce. And an ICC profile is a description of a device’s color space.  The profiles are used to help ICC systems communicate properly and translate your color gamut from device to device accurately.



Proper Color Management Workflow diagram:

Color Management Workflow:
STEP 1:  Calibrate your monitor
STEP 2:  Set up the Photoshop Color Management Environment
STEP 3:  Assign a Profile to the image
STEP 4:  Soft Proof your image on screen
STEP 5:  Print your Color-Managed image using ICC Printer Profiles

Below is a handout detailing the proper color management workflow steps for printing to an Epson inkjet printer. 



Great links for additional Color Management information:


A wealth of color management related info can be found at www.cambridgeincolour.com/tutorials.htm 

And further Epson Inkjet printing and color management instructions for older Photoshop versions, Lightroom, and Windows printing can be downloaded here: files.support.epson.com/pdf/r2880_/r2880_mc.pdf


The end of the class we will be visiting Beth Schiffer Digital Labs to make a Digital-C Print.

Beth has a new website highlighting her large print services.  Please check it out and share your business with her:  PrintBigPhoto.com


It has been an absolute pleasure teaching you during this intensive.  
I wish you all the best in your future endeavors! 

No comments:

Post a Comment